Theme of Death in Harry Potter

Name :- Rathod Zindagi V.

Roll no. 13

Sem. –IV

Year -2012-13

Sub. To. – Dr. Dilip Barad

Dept. of English

Maharaja Shri Krishnakumarsinhji Bha. Uni.

Bhavnagar

Paper:- The New Literature 

Topic:-

Theme of Death in Harry Potter

“The fear of death follows from the fear of life. A man who lives fully is prepared to die at any time.” 
― Mark Twin 

This writing  examines different attempts throughout the series to master death. It looks at mastering death through immortality, acceptance and sacrifice comparing the attempts of different characters to ultimately accomplish the same goal of mastering death.

“I DON'T CARE!" Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. "I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANYMORE!"
"You do care," said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. "You care so much you feel as though you will bleed to death with the pain of it.” 
― J.K. Rowling, Harry Potter and the Order of the Phoenix

    The word “ Deathly”  features prominently in our life , you can kind of figure out that death and mortality would play a major role in this book. Basically , Harry is forced to finally confront the specter that’s been haunting him all these years death face to face. While death has always shadowed his life since the murder of his parents, now it’s right up close and personal. From the deaths of many beloved friends to the requirements that Harry Himself shuffle off this mortal coil, generally we readers are constantly forced to try and understand what death is , What is mean, and how to deal with it. From the beginning of the quest, Harry knows that his own death is possibility – but now it seems almost like a likelihood. Here , we see his first thoughts on his fear of death and the unknown.

Along with good vs. Evil, and the burden of being “the one”, death is a looming theme. Dumbledore paints death as a great adventure. Voldemort fears it and seeks to power over it. Throughout the series and especially in this last installments beloved characters die heroic deaths in the battle against Voldemort. Loved ones grieve their loss. This is the nature of Die.

Keeping Faith with the Dead

The only person capable of planning and orchestrating Voldemort’s downfall is Dumbledore, because no one but he has the wisdom or knowledge to piece together what Voldemort has done and figure out how to undo it. And yet Dumbledore knows that this difficult work will only be completed after his death. Not only Harry, Ron, and Hermione, but also Snape, Lupin, Moody, and all the members of the Order of the Phoenix have to keep doing their part after Dumbledore’s death, carrying out his vision. As we have seen, believing in Dumbledore’s quest after he is dead is not easy for Harry, nor is it for any of the others.

In an attempt to gain immortality to go with his quest for absolute power Voldemort tears apart his own soul and commits murders to create horcruxes to house the pieces of his shattered soul. Fear of death motivates a few wizards to choose life as ghosts. Nearly Headless Nick tells Harry “I know nothing of the secrets of death, for I chose my feeble imitation of life.” A ghost is merely an imprint of a departed soul, but having splintered his own this is no longer a possibility for Voldemort.

Although many will claim by the end of the series Harry has mastered death by casting away the temptation of the Hallows and embracing his own death, evidence from the text shows his acceptance of death only prolonged death in certain situations. Harry finally seems to come to this same conclusion at the end of the series when he ignores the Deathly Hallows, a chance to become "master of death". Would the Deathly Hallows have brought Harry closer to immortality, especially after he had already come closer to death than any other character in the series? Probably, but truly mastering death is impossible and after what he has gone through Harry knows this as well as anyone.

   

Theme of Imperialism in Waiting for Barbarians

Name :- Rathod Zindagi V.

Roll no. 13

Sem. –IV

Year -2012-13

Sub. To. – Dr. Dilip Barad

Dept. of English

Maharaja Shri Krishnakumarsinhji Bha. Uni.

Bhavnagar

Paper:- The African Literature

Topic:-

Theme of Imperialism in Waiting for Barbarians

What is Imperialism:- 

A system in which one country extends its power and influence by defeating other countries in war, forming colonies, etc.

J.M. Coetzee’s Waiting for the Barbarians is an exploration of a horrific world of oppression, torture, callousness, and human suffering. The novel takes place in a settlement at an unspecified time in an unspecified country in which colonizers and natives have lived for several decades. A Magistrate rules the colony and has lived peacefully with both groups for years. As the novel begins , Colonel Joll, a representatives of the Empire, arrives, spreading fear among the settlers by telling them the natives present a great threat. Colonel Joll’s arrival disrupts the peaceful colony and creates an atmosphere of suspicion and conflict. The settlers and natives, who had coexisted peacefully before, now find themselves pitted against each other. While the Empire deems the natives “barbarous,” in fact it is the Empire itself that becomes increasingly barbarous as the novel progresses, losing all regard for human dignity, spirit, and respect. The quality deemed most odious in the Barbarians – savagery in its many forms – is amply displayed by the actions and attitudes of the Empire’s men.

The Barbarians are a threatening and potentially   rebellious presence in the eyes of the  Empire. While Joll believes the natives must be held down to prevent an invasion of the Empire’s settlement, the action of the novel makes it clear that it is the Empire itself, which is the invasive, alien force. The natives, called Barbarians by the invaders, in warding off the Imperial troops, stand to lose the most: their identity, their land, their freedom. In efforts to defeat the Barbarians, Colonel Joll and his soldiers burn all the trees by the town’s river in an attempt to destroy anything the natives could use as cover or camouflage. By doing this, they kill untold numbers of animals not quick enough to escape the blaze. The fire also causes the soil along the shore to erode and facilitates the expansion of the desert. The so-called “civilized” soldiers of the Empire are not just battling the natives; they are waging a war against the land itself. The Imperials fail to see the irony of their situation as invaders in the homeland of the Barbarians. They fail to recognize themselves as foreign, and instead assume their superiority, legitimacy, and indisputable right over the natives and the land the natives inhabit.

    Throughout the novel, the qualities that have been attributed to the Barbarians by the Imperials—immorality, filthiness and stupidity, in particular—can be seen as qualities possessed by the Imperials themselves. For example, Joll does not heed the Magistrate’s strenuous warnings against the capture of harmless prisoners from a fishing village, and his ignorance leads to the embarrassing and violent defeat of the foolhardy expedition. Still, Colonel Joll comes rolling back in his carriage from his philistine journey; he never listens and never learns from his errors. Similarly, the squalid living conditions of the natives are shown to be a result of their subjugation. When the first large group of natives is captured and imprisoned by Colonel Joll, they let their waste pile up in the corner of the yard and have to be told to bury it. When one of their babies dies, the mother keeps it under the blanket with her. However, once the Magistrate is imprisoned for helping the woman he loves escape, we see that he too is not allowed to cleanse himself, his clothes, or his room--even of human waste. These conditions become normalized to such a degree that, even when he is released from prison, he has to be forced to clean himself and put on clothes. By being treated as a Barbarian, the Magistrate himself loses the qualities attributed to “civilized” people.

    The most decisively “barbarous” characteristic of the Empire is its rampant immorality, matched only by savage brutality. The imprisonment and interrogation process that the author describes includes beatings, various forms of hanging, starvation, as well as deprivation, isolation, and public humiliation of prisoners.